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The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the... Læs mere
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Explores Latin America cinema, considering the reasons for the commercial and critical successes of movies such as "City of God", "The... Læs mere
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Explores Latin America cinema, considering the reasons for the commercial and critical successes of movies such as "City of God", "The... Læs mere
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Explains conglomeration and regulation in the film and television industries, covering its history as well as the... Læs mere
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Explains conglomeration and regulation in the film and television industries, covering its history as well as the... Læs mere
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Blair Miller tells the story of the motion picture industry as it developed in Jacksonville after the turn of the twentieth century. Almost Hollywood reveals the meteoric rise and fall of Jacksonville in early silent films.
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Blair Miller tells the story of the motion picture industry as it developed in Jacksonville after the turn of the twentieth century. Almost Hollywood reveals the meteoric rise and fall of Jacksonville in early silent films.
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A European multilingual society, without a shared culture or common European audio-visual sphere and with viewers watching foreign television, can survive successfully as a political entity - just as Canada has.
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A European multilingual society, without a shared culture or common European audio-visual sphere and with viewers watching foreign television, can survive successfully as a political entity ? just as Canada has.
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The Sound of War is a highly personal account from a journalist who was on the front line, observing the men in battle. It is also an insider’s story of what war was like on a day-to-day basis, in London, Algiers, Sicily, Italy, and northwestern Europe.
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Documents the work of America's first major film company, Vitagraph, from its beginnings in the 1890s through its sale to Warner Bros. in 1925.
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Traces the history of the black film industry from its beginnings around 1910 to its demise in 1950, chronicling the activities of pioneer black filmmakers and performers who had been virtually ignored by film historians.