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Bemærk: Kan ikke leveres før jul.
What warranted the skewering of Richard Bentley (whom Rhodri Lewis called “perhaps the most notable—and notorious—scholar ever to have English as a mother... Læs mere
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The eighteen articles in Volume 101 include: Stephen Scully, “Reading the Shield of Achilles: Terror, Anger, Delight”; Hugh Lloyd-Jones, “Zeus, Prometheus, and Greek Ethics”; and Robert W. Wallace, “An Early Fifth-Century Athenian Revolution in Aulos Music.”
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The sixteen articles in Volume 99 include: Nancy Felson, “Vicarious Transport: Fictive Deixis in Pindar’s Pythian Four”; Douglas E. Gerber, “Pindar,... Læs mere
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This volume of seventeen essays includes “Royal Documents in Maccabees II,” by Christian Habicht; “Sophocles’ Philoctetes and the Teachings of the... Læs mere
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This volume of eighteen articles offers: Andrew R. Dyck, “The Fragments of Heliodorus Homericus”; Hayden Pelliccia, “Aeschylus, Eumenides 64–88 and the Ex... Læs mere
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Harvard Studies in Classical Philology, Volume 107 includes "Alcman's Nightscapes (Frs. 89 and 90 PMGF)" by Felix Budelmann; "Epicharmus, Tisias, and the... Læs mere
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Greek painted pottery from the fourth century BC is one of the largest and most remarkable bodies of theatrically... Læs mere
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Published in celebration of Professor Birger Munk Olsen's 60th birthday, this title presents a collection of articles dealing with the reception of classical texts in the Middle Ages.
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Beginning with a reading of Plato’s Statesman, this work interrogates the relationship between life and being in Plato’s thought. It argues that in his later dialogues... Læs mere
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With a strong interest in the performance of ancient Greek tragedy, Graham Ley’s short text explores the dynamics of physical interaction between performers and of the dramaturgical construction of scenes.
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A journey through ancient Greek heritage in an effort to resurrect ideas about emotion and show their relevance to modern political philosophy. It focuses on "thumos" ("spiritedness", "heart" or "anger"), and relates this to contemporary multidisciplinary work on emotion.
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Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 BC to 20 BC, Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences.