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After its succès de scandale in France in 1856, Flaubert's Madame Bovary was widely adapted, sometimes so closely they were dismissed as plagiarism yet... Læs mere
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Please note this is a 'Palgrave to Order' title (PTO). This is the first compilation of essays to bring together the most important U.S. Latino/a literary... Læs mere
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In this book, the Mexican magazine Plural (1971-1976) provides a privileged vantage point from which to assess the developments that transformed Mexican and Latin American literary and political culture in the 1970s.
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Spanning the whole of Latin America, including Brazil, from its beginnings in 1492 up to the present time, Rivera-Barnes and Hoeg analyze the... Læs mere
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A sweeping intellectual history of the relationship between literary translation, authoritarian politics, linguistic ideologies, juristic philology, religion, and poetry in late nineteenth-century Colombia.
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The volume includes articles on the author s screenplays, his masterpiece, the dictator novel I The Supreme, his... Læs mere
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Through penetrating analysis of twentieth-century historical fiction from Central America this book asks: why do so many literary texts in the region address historical issues?
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By analyzing works by Alejo Carpentier, José Donoso, Severo Sarduy and Manuel Puig (author of Kiss of the Spiderwoma n),... Læs mere
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Ezra Pound belatedly conceded that T.S.Eliot "was the true Dantescan voice" of the modern world. With this assertion in mind, this study examines the relationship between the two poets. It attempts to show how Dante's total vision impinges on Eliot's craft and thought.
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'A rich contribution to the study of autobiography.' - James Olney Suzanne Nalbantian provides a precise and highly original basis to identify literary art with her novel approach to autobiography.
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This volume adopts a varied approach to the study of the 'material world' in the French literature, thought and visual arts of the 19th century.
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Other essays include feminist interpretations of Meursault, studies of Camus's narrative form, and explorations of the Algerian setting of the novel. Comparative studies show Camus's relation to the New Novel, to Greene and Orwell, to Jules Roy, and to Sartre.