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Pirandello is known for his plays, but his narrative production hasn't enjoyed the same degree of attention. This study represents a reassessment of this output, including the "realist" novels, the historical novel "I vecchi e i giovani" and the autobiographical "Suo marito".
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Afropean Female Selves offers a comparative study across two languages of a notion that has so far been... Læs mere
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Dante Alive documents the pervasive presence of Dante’s imaginary universe in popular culture today. These essays examines through a specific critical lens an area... Læs mere
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Employing the literary imaginings of the postcolonial city in texts set in Naples and Mumbai from the 1990s to the present, this book posits the discourse on criminality as a way to investigate the contemporary spatial manifestations of coloniality and global capitalist urbanity.
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Focusing on the scandalous affair of the “buried alive”, this book shows how the governing authorities in Naples managed the development of news and stories around current events through their systems of courts and bureaucracies.
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In Song in the Novel, scholars of literature, music, and culture explore the presence of songs and singing in novels, focusing on English, French, Italian, Russian, and Spanish examples from the seventeenth to the twenty-first centuries.
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With its thirteen essays, spanning different types of Italian ‘resources’, from novellas to dramas, scenarios and dialogues, the book aims at... Læs mere
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In this volume, the authors adopt an intersectional methodology to question Italian “white innocence” and to examine the specificity of Italian racial discourse through the analysis of different kinds of texts and representations.
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An essential reference companion to all who use Italian for business communication. Containing over 5,000 words, this handy two-way A-Z glossary covers the most commonly used terms in business.
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Writing Architecture in Modern Italy tells the history of an intellectual group connected to the small but influential Italian Einaudi publishing house between the 1930s and 1950s.
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This book rewrites modern intellectual history, taking Dante’s lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours.