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The Russian poet Joseph Brodsky has in recent years commanded increasing attention. This book, the first in English to be devoted entirely to him, presents a sustained and comprehensive analysis of his work to date, and offers an interpretation of his major themes
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Diane Thompson's study focuses on the meaning and poetic function of memory in Dostoevsky's The Brothers Karamazov, and seeks to show how Dostoevsky used... Læs mere
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Pamela Davidson explores Ivanov's poetic method, relating his art to his central beliefs and considering the ways in... Læs mere
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Dr Steinberg discusses Andrey Bely's novels by analysing Wagner's musical techniques and literary devices that Bely employs.
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Audrey Bely was one of the most innovative prose writers in Russian in the twentieth century. This book traces the development of his technique as a novelist from the early experimental Symphonies (1902–8) to the last novel, Masks, published in 1932.
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In this 1971 text, Professor Vinokur (1896–1947) discusses each of the stages in the development of Russian from its Common Slavonic source, and the growing... Læs mere
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Originally published in 1998, this was the first work to examine the extraordinary history of literary journals in imperial Russia. Essays by leading scholars... Læs mere
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This 1982 book was the first major critical study of Jaroslav Hašek and his most important literary creation, The Good Soldier Švejk. Cecil Parrott... Læs mere
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This book examines the strangely neglected area of Chekhov's one-act plays, written between 1885 and 1903. Still frequently performed, they... Læs mere
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Felicity O'Dell analyses the moral content of stories read by Russian primary school children and asks what values are taught and how they... Læs mere
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The Phonetics of Russian is intended to help those studying Russian to pronounce the language well, and to give students of general phonetics a knowledge of the phonetic system of Russian. In addition it serves as a reference book on Russian pronunciation.
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In this 1977 study, the first devoted to Mandelstam's life and work between 1930 and 1937, Dr Baines' concern is to dispel the view that Mandelstam's later poetry is weak or obscure and to clarify the many misconceptions which have surrounded it.