Forfatter fødeår: 1949
Key theorists discuss the future of communism in New York.
Zizek analyzes the end of the world at the hands of the "four riders of the apocalypse"
Challenges the contemporary critique of ideology, and in doing so opens the way for a new understanding of social conflict, particularly the recent outbursts of nationalism and ethnic struggle.
Argues that the subversive core of the Christian legacy is much too precious to be left to the fundamentalists. This book also... Læs mere
Totalitarianism has always had a precise strategic function: to guarantee the liberal democratic hegemony by dismissing the... Læs mere
The latest book by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of a dazzling inquiry into the realms of politics, philosophy, film and psychioanalysis.
The title by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of an inquiry into the realms of radical politics, philosophy, film and psychoanalysis.
In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in juda e en christendom.
This work explores the relationship between opera and psychoanalysis. Ziezek and Dolar consider, for example, death in opera and orgasm (the little death for which opera may be imagined to be a substitution), as well as the heralded "death of opera" and its cultural function.
Slavoj Zizek, dubbed by the Village Voice "the giant of Ljubljana", is back with a new edition of his seriously entertaining book on film, psychoanalysis (and life).
In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in judaïsme en christendom.