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This book explores the reception of the 1001 Nights in eighteenth-century Dutch literature and scholarship, and the bibliographic history of its French-language editions and Dutch retranslations.
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This book aims to understand the motives of religious fanatics' and their extreme reactions to religious satire and criticism by means of the concept of theoterrorism: terrorism grounded in religious zealotry.
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Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief.
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How contested notions of modernity, civilization and being governed were envisioned through the aid of photography.
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The first substantial English-language introduction to Plessner's philosophical anthropology.
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This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself.
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Paul Cuff takes account of the struggle across decades to restore and reintegrate Gance's film Napoleon and challenges received opinion on this work.
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This gorgeously illustrated book explores how Rembrandt achieved mastery by systematic exploration of the 'foundations of the art of painting'.
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This volume condenses elements of theory on melodrama by bringing into focus what it recognizes to be the locus for subjective identification within melodramatic narratives: the victim.
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An engaging and definitive study of the secrets of the vast commercial success of the Dutch East India Company
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This compelling study bridges the gap between structural and cultural theories by placing protestors and other players with whom they interact in the context of structured arenas.
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Volume III in the first comparative history of the humanities, focusing on the period 1850-2000.