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These volumes give an overview of this period in the journal's history and its aftermath, combining biographical accounts of the critics who wrote for Cahiers in the post 1968 period with theoretical explorations of their key texts.
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This new revised edition includes more than 100 additional articles, including coverage of memory culture as an aspect of Romantic nationalism and improved coverage of various cultural communities such as Czech, Finnish and Hungarian.
Bemærk: Kan ikke leveres før jul.
This new revised edition includes more than 100 additional articles, including coverage of memory culture as an aspect of Romantic nationalism and improved coverage of various cultural communities such as Czech, Finnish and Hungarian.
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This book addresses the growing awareness of the historical collections of film and media devices in film archives and media museums. Over... Læs mere
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Colonial Caribbean Diets and the Creolisation of Food Practices (1780-1890) approaches the topic with a comparative analysis of the British and Spanish Caribbean to give a fresh perspective to the history of the empires during the long nineteenth century.
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Transformational Participatory Urbanism explores making do as a critical spatial practice at the intersection of spatial justice and creative geography.
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This book offers a fresh perspective on regionalism by shifting the focus from institutional structures to regional imagination—the cultural, ideological, and political visions that conceive of transnational spaces beyond the boundaries of the nation-state.
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This book explores how gloves shaped and reflected gender relations in early modern society. By examining the cultural, economic, and political significance of gloves, it reveals how these everyday objects both reinforced and challenged gender ideologies of the time.
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Mongolian Healing: Knowledge, Transmission, and Practice Across Inner Asia explores the rich and diverse medicinal healing practices by Mongolian communities across Mongolia, Inner Mongolia, and Kalmykia.
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Film and the Natural History of Destruction explores the interface between film, memory and ecological thought.
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Considering the output of the Dutch painter Geertgen tot Sint Jans (ca. 1465–95) in relationship to the religious and social desires of his primary patrons, the Haarlem Hospitallers, this book offers a comprehensive analysis of the artist’s oeuvre.