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This book presents the supernatural as a truly international phenomenon, not restricted to the original folk characters,... Læs mere
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Hamlet stands as a high water mark of canonical art, yet it has equally attracted rebels and experimenters, those avant-garde writers, dramatists, performers, and... Læs mere
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This work addresses limitations in current approaches to rhetorical historiography and provides fresh philosophical ground that... Læs mere
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Double Shakespeares examines contemporary performances of Shakespeare’s plays, and narratives about rehearsing and performing Shakespeare’s plays, that acknowledge the inescapable doubleness of “emotional-realist” acting.
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Music in the Works of F. Scott Fitzgerald illustrates and analyzes the ways in which Fitzgerald integrated music with literature through his... Læs mere
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This book examines the drama of Shakespeare and his contemporaries from the perspective of the period’s radically changing labor relations and... Læs mere
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This book explores the many different ways that we can understand the... Læs mere
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This book examines American literary texts whose portrayal of "American" identity involves the incorporation of a "foreign body"—specifically, a foreign culture or nation—as the precondition for a comprehensive understanding of itself.
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This book presents the vampire as a truly international phenomenon, not restricted to the original folk character, the literary vampire (such as Dracula), or 20th and 21st-century film versions. Instead, we find examples of vampires from literally around the world: each cultur...
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This book collects essays by actors, directors, scholars, and teachers who are exploring the ways in which the plays of William Shakespeare and his contemporaries were—and still are—performed.
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In this book the story of Company A is told through the real-time, unfiltered correspondence of the soldiers who fought to end slavery... Læs mere