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Pooja Rangan develops a framework for understanding how documentary practices have, under the mantle of accountability, provided a moral cover for listening habits that are used to profile, exclude, and incarcerate.
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Twilight of the Saints examines the history of Salafism in Egypt from its 1920s emergence in Cairo’s scholarly circles through the present day, shedding new light on the movement’s shifting relationship to politics.
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Worlds Apart explores the ethics of representation by reading the works of twentieth-century writers who use the techniques of literary fiction to depict survival in concentration camps, ghettos, and besieged cities.
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Hale Eroglu explores how a group of key Hui figures navigated the challenges of the early twentieth century, offering a transnational intellectual history of Chinese Muslim thought.
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Why are people inclined to believe misinformation? This wide-ranging and comprehensive book shines a light on how false beliefs take root and spread, exploring the cognitive, emotional, and social factors that make us susceptible.
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One of China’s first works of science fiction, New Story of the Stone is a belated twentieth-century sequel to the beloved eighteenth-century masterpiece Story of the Stone (more famously known as Dream of the Red Chamber).
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Exploring the legalization of same-sex marriage in the United States and France, this book sheds new light on the power of experts to influence high-stakes democratic debates.
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This book presents Michel Foucault’s unpublished manuscript on the Swiss psychiatrist Ludwig Binswanger for the first time in English, offering crucial insight into his intellectual development.
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A portrait of Parisian intellectuals of the 1960s as seen through the eyes of Olga, a young Eastern European who comes to Paris to write a literary thesis, and finds herself immediately swept into the world of a group of young leftist thinkers and writers known as the Samurai.
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Julia Kristeva presents a thoroughly original and compelling reading of Proust’s Remembrance of Things Past, drawing on Proust’s notebooks and manuscripts.
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This sequel to Julia Kristeva’s celebrated allegory The Old Man and the Wolves returns to the corrupt seaside resort of a mythical town, where the boundaries between East and West, civilization and barbarism, and good and evil are erased.
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Part detective story, part fable, this novel—narrated by a French journalist—takes the reader to a mythical postindustrial city where the boundaries between East and West, civilization and barbarianism have been erased.