Thomas Hendriks examines the rowdy environment of industrial timber production in the Democratic Republic of the Congo to theorize the social, racial, and gender power dynamics of capitalist extraction.
Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dalí to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces.
The contributors to Reactiving Elements explore how studying elements—as the foundations of the physical and social world—provide a way to imagine alternatives to worldwide environmental destruction.
Writing at a cultural moment in which data has never been more ubiquitous or less convincing, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of computation, wearable technologies, and digital artwork.
Todd Meyers offers an intimate ethnographic portrait of a woman he met during his fieldwork as a way to explore the complexity of the anthropologist’s personal relationships with their subjects and how to speak of and to someone who is gone.
Anita Mannur examines how cooking, eating, and distributing food can create new forms of kinship, intimacy, and social and political belonging for people of color, queer people, and other marginalized subjects.
Afsaneh Najmabadi draws on her family history to tell a larger story of the transformations of notions of love, marriage, and family life in mid-twentieth-century Iran.
Yuriko Furuhata traces climate engineering from the early twentieth century to the present, showing how a range of Japanese scientists, technicians, architects, and artists developed technologies to monitor, condition, and modify climate.
Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century, showing how these films record the fear, anxiety,... Læs mere
Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.
Jodi Kim examines how the United States extends its sovereignty across Asia and the Pacific in the post-World War II era through a militarist settler imperialism that is leveraged on debt.