Examines the use of cinematography and mise en scène in contemporary Indonesian cinema.
Examines how the arts popularised militant resistance to the monarchy in 1970s Iran
Explores how military medical practitioners articulated and represented their spatial and sensory experiences of caregiving.
Explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives
Deals with the exploration and theorisation of Modern and Contemporary art of Iran through the examination of art movements and artistic practices in relation to other cultural, social and political discourses during the twentieth and twenty-first centuries.
Builds a theoretical model of tribe-state relations through historical political analysis of tribal politics in Kuwait, Qatar, and Oman
Explores extremity in films and it's ethical, theoretical and film-philosophical implications
A translation of the first book written by one of the most famous and authoritative Spinoza scholars in the world today.
Compares censorship’s distinct and varying profiles across five different national contexts - U.S.A., Britain, Canada, Australia, and France.
Takes a transnational, feminist approach to the oeuvre of Palestinian director, Annemarie Jacir
Examines the non-fiction film practice of Swedish-Iranian filmmaker Nahid Persson Sarvestani.