First Published in 1997. Can South African theatre continue to maintain its autonomy and exercise its critical role? How might theatre contribute to post-apartheid soceity? These are just of the questions addressed in this book.
Aims to widen the understanding of stochastic dynamic choice and equilibrium models. The book offers a simplified exposition of the theory of Brownian motion and its regulation,... Læs mere
Part of a series which presents developments in the field of economics, this volume focuses on government ownership and the regulation of... Læs mere
This work discusses Antonio Triana - one of the foremost Spanish Flamenco dancers and teachers of his time. It also traces the evolution and history of the Spanish Dance technique.
This edition includes an analysis of "Le Marteau sans Maitre", and examines the development of serial music throughout the 20th century. Koblyakov seeks to reveal Boulez's compositional processes and offers an understanding of the intricacies of this composer's techniques.
A collection of much previously unpublished archive material, including documents from Luigi Pirandello's theoretical essays and reviews. Emphasizing Pirandello as a... Læs mere
Looking at the development of cultural identity in the global context, this text uses the approach of historical anthropology.
In this guide, Vladimir Barsky traces the progress of the concept of chromaticism throughout Western musical history, and attempts to recreate an integrated logical and historical perspective in order to make a specific study of this subject.
This collection of essays demonstrates how novels are not only comparable, but often superior to the case histories used in business education.
This major study is the first written record of the oral tradition of the African dancer and the Masques de Sagesse. It explains the movements, codes and meanings of the traditional African dance.
In the years 1917 to 1991, despite unfavourable prevailing conditions, there were a number of achievements in the music created for the cinema in the Soviet Union. This volume attempts a historical analysis of Soviet film music and its place in world cinema.