Argues for a new approach to combat stress and trauma that sees these "invisible wounds of war" not just as individual medical pathologies but as social phenomena demanding a collective reconciliation with the post-9/11 wars.
This volume of original chapters written by experts in the field offers a snapshot of how historical built spaces, past cultural landscapes, and archaeological distributions are currently being explored through computational social science.
Patricia Leavy, herself both a highly published qualitative researcher and a novelist, explores the overlaps and intersections between... Læs mere
Alan Simmons summarizes and synthesizes the evidence for prehistoric seafaring and island habitation in the Mediterranean as part of the mounting evidence that our ancestors developed sailing skills early in prehistory.
Comprehensive and global in scope, this book critically evaluates the range of management options that claim to have integrated Indigenous peoples and knowledge, and then outline an innovative, alternative model of co-management, the Indigenous Stewardship Model.
Tami Spry provides a methodological introduction to the budding field of performative autoethnography including examplars and exercises for the novice.
Written to appeal to professional archaeologists, students, and the interested public alike, this book is a long overdue introduction to the ancient peoples of the Great Basin and northern Colorado Plateau.
This book describes the fundamental principles and methods of using ancient starch molecules to elicit plant use, environmental conditions, and social relations in the ancient world.
This volume experiments with ‘worldliness’ as found in theory, method, and fieldwork practice. It provides readers with ten unique case studies that grapple with worldliness as an affective, relational, sensory, and multimodal experience.
Mary M. and Kenneth J. Gergen make a strong case for enriching the social sciences through performative work, establishing a framework for performative research and including many of their own performance works.
Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how a version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience.
This absorbing volume examines cultural role of rock art for the Apsáalooke, or Crow, people of the northern Great Plains by examining collective concepts of landscape as well as shared memories of historic Crow culture.