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Erwin Panofsky's Meaning in the Visual Arts has been a core text in the study of art and art history since its publication.
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The first volume of his acclaimed series ‘Christian Origins and the Question of God’ which comprehensively addresses the historical and... Læs mere
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The City of God against the Pagans remains a central text in the Western intellectual tradition in the disciplines of theology,... Læs mere
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The Guide of the Perplexed attempts to explain the perplexities of biblical language. Engaging both contemporary and... Læs mere
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On Religion is a major text for the development of modern religious thought in the West and its author, German theologian Friedrich Schleiermacher, is remembered as the Father of Modern Protestant Theology, as well as for his contributions to philosophy, ethics and hermeneutics.
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Martin Buber’s I and Thou argues that humans engage with the world in two ways, one necessary for existence and the other the source of the meaning of life.... Læs mere
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The Preface is a statement of Wordsworth’s poetic vision and offers an explanation of the poetic process behind the poems, which fused the rusticity of the ballad form with the psychological introspection of modernity.
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The Defence of Poesy is the first major piece of literary criticism in English. Taking aim at classical authors who disparaged poetry, and contemporary critics who saw literature as a corrupting influence, Sidney foregrounds the moral force of poetry.
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In this book, Sedgwick examines texts from Europe and America such as Wilde, Nietzsche and Proust, and considers the historical moment when sexual orientation came to be as important a signifier of personhood as gender had been for centuries.
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In a series of brilliant readings, Greenblatt shows how identity is constructed in the... Læs mere
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In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic.
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Foucault's 1969 essay What is an Author? applies the same approach to the central figure of literary criticism: the author, asking, against the grain of our intuitions, whether an “author” is truly the real individual who writes a text, or something else.