The gruesomely fascinating musical about the 'Demon Barber of Fleet Street', one of Sondheim's greatest hits.
The Rolls-Royce of English comedies, exploring corruption and morality, and bringing an act of political sin into the heart of the English home.
Fifty fantastic speeches for women, all written since the year 2000, by some of our most exciting dramatic voices. In the Nick Hern Books Good Audition Guides series.
A practical approach to breaking through the barriers of restraint and incomprehension when faced with Shakespeare.
Winner of the 2018 Pulitzer Prize for Drama, an exquisitely original, honest and deftly funny play that explores our need to connect and be loved regardless of the gulfs that disability, race, class, and wealth place between us.
A kaleidoscopic exploration of cultural progress, an interrogation of gender and privilege, and a wilfully ignorant history of English Literature.
Part satire, part sacred rite, a play that asks what value stories have for a world in crisis.
A play about what we say and how we say it; about the things we can only hear in the silence; about dead cats, activism, eye contact and lemons, lemons, lemons, lemons, lemons.
Two ageing nuclear scientists in an isolated cottage on the coast, as the world around them crumbles. Then an old friend arrives with a frightening request.
An outrageous play about imperialism, cross-racial adoption, cultural appropriation... and tea.
The nineteenth-century French classic about the swordsman-poet with the nose too large to be taken seriously, in an acclaimed English translation by Anthony Burgess.
A strikingly original play combining traditional storytelling with physical theatre, created by The Imaginary Body. Winner of a Fringe First Award at the 2002 Edinburgh Festival Fringe.