Re-scaling the Rural aims to generate a broader understanding of contemporary rurality as it exists in different countries, seen by different disciplines in the context of different scales in space and time.
The photographs, quotes, and anecdotal text in '93 til captures a time in skateboarding when making a livable income as a professional skater was a luxury and public understanding of skateboarding was at an all-time low.
This book examines the urban fabric of contemporary Tokyo as a valuable demonstration of permeable, inclusive, and adaptive urban patterns that required neither extensive master planning nor corporate urbanism to develop.
Patrick Ahearn explains his urbanistic perspective, as well as how he works with clients to develop timeless, dream-houses.
This book weaves a much needed and transformational narrative about making architecture through paying close attention to cross-laminated timber as a material for today.
Supertall | Megatall: How High Can We Go? highlights the design, sustainability, innovative technology, programming, and contextualism that defines supertall and megatall towers.
This is a book about ideal landscapes and Feng-Shui and explores the origin, structure, and meanings of Feng-Shui in juxtaposition to the ideal landscape models in Chinese culture.
This issue explores the mechanism of how landscape design affects users’ feelings, experiences, and behaviours, as well as usability, by introducing theories,... Læs mere
Introducing international perspectives, LA Frontiers encourages the bridging the latest research outcome with application and practice.
Combining how-to with why-to, 9 Ways to Make Housing for People lays out the core principles that David Baker Architects uses to help communities develop great urban housing.
Architecture Stuff is about a way of looking at architecture. It examines seven seminal projects and shows how they might have been conceived with or without the design architect's awareness.
Archive, Matrix, Assembly: The Photographs of Thomas Struth 1978-2018 presents the first comprehensive, systematic theory of contemporary German artist Thomas Struth s works from main body of the late 1970s to 2018.