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John Ruskin’s The Stones of Venice has been described as the greatest guidebook ever, and it transformed architecture forever. This abridged version still contains the original’s essence.
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A novel by one of Britain's leading figures in museums and collecting of the last 50 years, based on the few facts known about Botticelli - informed by his paintings, imagining his thoughts and feelings as he created them.
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These reminiscences of Caspar David Friedrich by fellow romantic painters and poets give a fascinating picture of the impact of his art on his contemporaries.
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This book explores Édouard Vuillard’s early career combining intimate subject matter with abstraction by simplifying pictorial elements and observing... Læs mere
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Postings, volume 2 supplies yet more linguistic and social absurdities by editor Jim McCue. An elegant gift, McCue’s wit is complemented by delightful, historical printers’ decorations.
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Francisco de Holanda’s Dialogues record Michelangelo’s participation in art discussions hosted by Vittoria Colonna, revealing his thoughts and world as he painted The Last Judgement.
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Condivi’s unparalleled biography presents his friend Michelangelo’s life, work and struggles in the world of Papal politics and Italian wars. This edition reproduces the long... Læs mere
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Anthony Langdon’s guide to Rome’s baroque palaces, a companion to Anthony Blunt’s A Guide to Baroque Rome: The Churches. Features 140 prints, plus diagrams, new photographs, references and indexes.
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The Storm Cloud of the Nineteenth Century is John Ruskin’s rigorous and prophetic denunciation of capitalism’s assault on the environment, developed through his conflicted relationship with 19th-century science.
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This hardback presentation of George Stubbs’ The Anatomy of the Horse is taken from the 1853 printing, the last to use original plates, includes Stubb’s full commentary and is... Læs mere
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A monograpgh dedicated to the leading German Reformation artist, Lucas Cranach, who was one of the most influential northern Renaissance printmakers. His Passion series has drama and pathos rivalling his contemporary Dürer.
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A volume dedicated to Albrecht Dürer’s series of woodcuts illustrating the Passion of Christ. An astonishing sixteenth-century demonstration of virtuosic printmaking.