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An in-depth examination of one of the most important ancient works in America, the exquisite Farnese Sarcophagus.
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The Harold Samuel Collection Art Collection of Dutch and Flemish seventeenth-century pictures is one of the finest groups of Old Master paintings assembled in Britain over the past hundred years.
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Sir Peter Lely (1618-1680) was Charles II’s Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist.
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This catalogue accompanies the first ever loan exhibition of drawings from Waddesdon Manor, the house that was built and furnished by Ferdinand de Rothschild (1839-1989) to show off his works of art and to entertain the fashionable world.
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Accompanying an exhibition held at Sam Fogg Ltd., London, in 2001.
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The Splendor of Germany examines the major developments in German draughtsmanship over the course of the eighteenth century. Published to coincide with the collection’s 150th anniversary.
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As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, Epstein did not fit neatly into the artistic categories of his time.
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During the Tudor Age the South West was famed for the innovation and endeavor of its people.
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The first major publication dedicated to the important but underrated 18th-century British artist Joseph Highmore, whose works... Læs mere
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This catalogue accompanies the first exhibition dedicated to Antoine Caron’s graphic work and explores the role the Queen Mother Regent Catherine de’ Medici played in a key series of drawings, some reunited here for the first time.