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Douglas Barrett, prominent in Indian art, presents three sections in his work: North India sculpture, Deccan painting & sculpture (Amaravati school), and South India sculpture.
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The first International Conference on Ethiopian art, convened by Dr. Richard Pankhurst in 1986, produced Proceedings... Læs mere
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This volume compiles John Oates' research on English printing and Cambridge University Library's collection. It includes 15 studies on English printing (15th-18th centuries), 11 on the library's collection, and 3 on his interest in Sterne.
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Eleven studies by C. M. Kauffmann over 20 years cover Romanesque and Gothic art, including panel paintings, the Bury Bible, and English Romanesque book illumination. Catalog for V&A Museum exhibit, with updated notes and preface.
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This volume brings together for the first time Rosemary Cramp's seminal studies on Anglo-Saxon crosses and sculptural fragments. The papers are principally concerned with... Læs mere
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A collection of essays by the late Donald Strong, grouped into four sections (general, architectural studies, sculpture, acquisitions at the... Læs mere
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This volume contains 19 essays by Herbert Kessler exploring the relationship between pictures and texts in medieval art. It examines various aspects of this relationship,... Læs mere
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Viktor N. Lazarev, a pioneer in Russian art history, contributed significantly to Byzantine and early Russian art studies. This volume compiles his papers from 1925 to 1964, shedding light on Byzantine painting's stylistic evolution and its influence on medieval Italian art.
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Rosalie Green's work primarily focused on European art from the 11th and 12th centuries, particularly the Hortus Deliciarum manuscript. Her extensive... Læs mere
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Ioannis Spatharakis's work on Byzantine manuscript painting created the standard corpus for dated illuminated Greek manuscripts. This... Læs mere
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Anna Muthesius compiles her 20 years of research on Byzantine silks (400-1200 AD) into one volume. This collection addresses economic, cultural, and artistic aspects of medieval silk production and its influence on various regions.
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For more than forty years William Watson has occupied a unique place in the study and teaching of Chinese art in Great Britain. Professor Watson's publications... Læs mere