Bringing together history, literature, and popular culture, this book provides a cultural history of France from a period of dominance in the... Læs mere
Weasels and Wisemen is the first major study of David Mamet's work to investigate the moral vision and cultural poetics upon which this playwright's aesthetic vision is founded.
Citing the massive horrors of the Nazi death camps and the domestic violence behind a woman's suicide, Adrienne Rich challenges a fellow poet:... Læs mere
Jonestown, Waco, and Heaven's Gate resonate in the contemporary mind in the same way that Masada or Mount Tabor resonated in the minds of others long past.
Since the end of the First World War, the legend of 'Lawrence of Arabia' has enjoyed much currency in the popular imagination of... Læs mere
Italian Colonialism is a pioneering anthology of texts by scholars from seven countries who represent the best of classical and newer approaches to the study of Italian colonization.
In thirteen studies of representations of rape in Medieval and Early Modern literature by such authors as Chaucer, Shakespeare and Spenser, this volume argues that some form of sexual violence against women serves as a foundation of Western culture.
Against the backdrop of Britain's underground 18th and early-19th century homosexual culture, mob persecutions, and executions of homosexuals, Hobson shows how Blake's hatred of... Læs mere
By drawing on images from late medieval culture as well as from historical documents and literary texts, Engaging Words shows how reading became a cultural metaphor in the late Middle Ages that transformed the way the Western world thought about identity and social roles.
Through an examination of the poetry of Anne Sexton, Audre Lorde, and Gloria Anzaldua this book paints a vivid picture of how American culture carries a history of traumatic violence. According to the author, the poetry of Sexton, Lorde, and Anzaldua facilitates healing.
This study innovatively explores how Malory's Morte D'Arthur responds to available literary vernacular Arthurian traditions which the French defined as theoretical in impulse, the English as performative and experimental.
Not in Sisterhood shows how the complex intersections of literary and social politics that shaped the world of Wharton, Cather, and Gale are still at work in today's feminist reconstructions of literary history.