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A social history of the ways Indigenous Peoples have engaged and navigated the welfare state to promote survival and well-being amidst Canadian settler colonialism.
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Kate Beaton, award-winning author of the graphic novel Ducks: Two Years in the Oil Sands, explores connections between class, literature, and art.
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Baird’s poems traverse through joy, loss, parenting, domestic violence, and isolation. Steely, tender, and sensual, this collection creates a reverent container for a broken world.
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Python Love is a collection of free verse poetry weaving together experiences of childhood abuse and birth trauma from the perspective of a medical doctor who is also a mother.
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The poems in This Sweet Rupture explore family secrets, diaspora, food culture, and war’s impact on personal narratives while navigating cultural identity as a first-generation Lebanese-Canadian.
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In this critical edition of a manuscript previously thought lost, Parker applies McLuhan’s medium theory and reimagines museums as catalysts for cultural engagement and empathy.
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Genosko uncovers the legacy of Harley Parker (1915-1992), Canadian museum exhibition designer, typographer, and painter, and explores his innovative concepts reshaping museums as perceptual laboratories.
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Situated in the practice and expertise of close textual analysis, Alice Munro and the Art of Time explores notions of time in a selection of Munro’s stories.
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Secularism, Race, and the Politics of Islamophobia shows the ways secularism produces and enables racism and normalizes the racial categorization of “Muslim.”
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A new critical edition of a museum seminar report from 1967, featuring Marshall McLuhan and his collaborator Harley Parker.
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Presents ethnographic work in countries where Indigenous and more-than-human collectives struggle to sustain “territories of life” within settler colonial societies.
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Amateur naturalist Frank Farley (1870-1949) made significant contributions to the fields of ornithology and environmental conservation in western Canada.