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This collection charts the political, conceptual, and ethical consequences of how the underexplored problem of the negative might be posed for contemporary cultural geography.
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Jon Burrow-Branine challenges common narratives about what it means to be LGBTQ and Christian in the contemporary United States.
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The Settler Sea is an environmental history of Southern California’s Salton Sea, the state’s largest inland body of water, and the complex politics of environmental and human health in the West.
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Set in the German Democratic Republic (GDR) of the early 1970s, this novel presents an adventure story as well as a feminist critique of GDR socialism, science, history, and aesthetic theory.
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A novel that takes place in the new 'free market' era of personal choices and relations: a chaotic, sometimes hopeful, often comic world that has... Læs mere
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A comprehensive coverage of the complex interactions between people and the environment.
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A sweeping, comparative analysis of the slaving regimes of Hispanic, Comanche, and Anglo American communities in the Texas borderlands during the eighteenth and nineteenth centuries.
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Scars of War examines how the exclusion of mixed-race persons and people of Asian descent in the United States shaped policymakers’ efforts to recognize the Amerasians of Vietnam as American children and initiate legislation that designated them unfit for American citizenship.
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Apostles of Empire contributes to ongoing research on the Jesuits, New France, and Atlantic World encounters, as well as on early modern French society, print culture, Catholicism, and imperialism.
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Making a Modern U.S. West surveys the history of the U.S. West from 1898 to 1940, centering what is often relegated to the margins in histories of the region—the flows of people, capital, and ideas across borders.
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Dirty Knowledge explains how traditional conceptions of academic freedom, still reflective of the capitalist era in which they were conceived, fail to protect unrestricted inquiry in an academy radically altered by neoliberal economics.
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In the face of amnesia, how does one exist? In this poem, Hawad speaks directly to Azawad, a silent figure whose name designates a portion of Tuareg lands divided among five nation-states created in the 1960s.