Forventes på lager: 21-02-1999
Shows how opera, in its own cultural arena, distinct from philosophy, has repeatedly brought to the stage the changing relations of the subject to the particular metaphysics it presumes. This book details interactions of song, words, drama, and sounds used by creators of opera to fill in the outlines of the subjectivities they envisioned.
| Forlag | Princeton University Press |
| Forfatter | Gary Tomlinson |
| Type | Bog |
| Format | Paperback / softback |
| Sprog | Engelsk |
| Udgivelsesdato | 21-02-1999 |
| Første udgivelsesår | 1999 |
| Serie | Princeton Studies in Opera |
| Illustrationer | 7 halftones 12 music examples |
| Originalsprog | United States |
| Sideantal | 192 |
| Indbinding | Paperback / softback |
| Forlag | Princeton University Press |
| Sideoplysninger | 192 pages, 7 halftones 12 music examples |
| Mål | 254 x 197 |
| ISBN-13 / EAN-13 | 9780691004099 |