Forventes på lager: 01-10-2009
Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy.
| Forlag | Cambridge University Press |
| Forfatter | Charles (Victoria University of Wellington) Ferrall |
| Type | Bog |
| Format | Paperback / softback |
| Sprog | Engelsk |
| Udgivelsesdato | 01-10-2009 |
| Første udgivelsesår | 2009 |
| Illustrationer | Worked examples or Exercises |
| Originalsprog | United Kingdom |
| Sideantal | 212 |
| Indbinding | Paperback / softback |
| Forlag | Cambridge University Press |
| Sideoplysninger | 212 pages, Worked examples or Exercises |
| Mål | 229 x 152 x 12 |
| ISBN-13 / EAN-13 | 9780521120821 |