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Forventes på lager: 22-01-2015
Alessandra Campana examines four late nineteenth-century operas, Mefistofele by Arrigo Boito, Simon Boccanegra by Verdi, Otello by Verdi and Manon Lescaut by Puccini, and a silent film scored by Mascagni, to explore for the first time how opera participated in the making of a modern public in post-unification Italy.
| Forlag | Cambridge University Press |
| Forfatter | Alessandra (Tufts University Campana |
| Type | Bog |
| Format | Hardback |
| Sprog | Engelsk |
| Udgave | New ed |
| Udgivelsesdato | 22-01-2015 |
| Første udgivelsesår | 2015 |
| Serie | Cambridge Studies in Opera |
| Illustrationer | 29 Printed music items; 22 Halftones, unspecified; 24 Halftones, black and white; 2 Line drawings, black and white |
| Originalsprog | United Kingdom |
| Sideantal | 220 |
| Indbinding | Hardback |
| Forlag | Cambridge University Press |
| Sideoplysninger | 220 pages, 29 Printed music items; 22 Halftones, unspecified; 24 Halftones, black and white; 2 Line |
| Mål | 181 x 249 x 13 |
| ISBN-13 / EAN-13 | 9781107051898 |