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Forventes på lager: 20-12-2018
Julie Brown presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his early atonal works, his theoretical writings and previously unexplored archival documents, she argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music.
| Forlag | Cambridge University Press |
| Forfatter | Julie (Royal Holloway Brown |
| Type | Bog |
| Format | Paperback / softback |
| Sprog | Engelsk |
| Udgivelsesdato | 20-12-2018 |
| Første udgivelsesår | 2018 |
| Serie | New Perspectives in Music History and Criticism |
| Illustrationer | Worked examples or Exercises; 3 Printed music items; 2 Line drawings, black and white |
| Originalsprog | United Kingdom |
| Sideantal | 273 |
| Indbinding | Paperback / softback |
| Forlag | Cambridge University Press |
| Sideoplysninger | 273 pages, Worked examples or Exercises; 3 Printed music items; 2 Line drawings, black and white |
| Mål | 190 x 245 x 20 |
| ISBN-13 / EAN-13 | 9781108722070 |