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This volume is the first authoritative historical textbook to look at the origins, development and evolution of seaside Pierrot troupes and concert parties and their popular performance heritage.
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This book maps contemporary playwriting and theatre translation practices and ecologies in the European continent.
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This book presents a ground-breaking, comprehensive study of the modern performance history of plays in the John Fletcher canon, excluding his collaborations with Shakespeare. It examines how seventeen of Fletcher’s plays have been interpreted in British productions.
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Involuntary Motion contributes to the study of refugee flight by using movement as a lens to explore problems in refugee performance and understand the experience of bodies in motion. It will be of great interest to students and scholars of performance, dance and politics.
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Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage.
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This book confronts and criticises the way in which the dominating concept of performance has been used in Art Theory,... Læs mere
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Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India.
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Boxing and Performance is the first substantial piece of work to place the lived experience of female and male boxers in dialogue with one another.
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Floating Bones charts the author’s journey into tensegrity that begins in ballet and culminates in a model for addressing one’s body as a teacher. This book will be of great interest to students, scholars and practitioners of dance, theatre and sociology.
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This book analyses and theorizes the efficacy of using applied theatre as a tool to address refugee issues of displacement, trauma, adjustment, and psychological wellbeing in addition to split community belonging.
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Dance Legacies of Scotland compiles a collage of references portraying percussive Scottish dancing and explains what influenced a wide disappearance of hard-shoe steps from contemporary Scottish practices.
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By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised.