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This book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña.
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Voice as Art considers how artists have used human voices, since they became reproducible and entered art discourse in the twentieth century.
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This book examines the enactment of gendered in/equalities across diverse cultural forms, turning to the insights produced through the specific modes of onto-epistemological enquiry of embodied performance.
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Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a... Læs mere
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Clackamas Chinook Performance Art pairs performances with biographical, family, and historical content that reflects Victoria Howard’s ancestry, personal and social life, education, and worldview.
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Investigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms.
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For whom does the actor perform? Addressing this question, Acting after Grotowski focuses on an actor’s work as a self-revelatory deed. Introducing... Læs mere
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Minstrel Traditions: Mediated Blackface in the Jazz Age offers a series of interlocking case studies which surveys racial and racist inscriptions of the 1920s and 1930s in the United States.
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Theatrical Speech Acts explores the significance and impact of words in performance, probing how language functions in theatrical scenarios, what it can achieve under particular conditions, and what kinds of problems may arise as a result.
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This book explores how three contemporary American artists through the mediums of film, literature, and popular... Læs mere