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The Petersburg Noverre is an account of Marius Petipa’s career in Russia that focuses on the description and reception of his ballets.
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David Houston Jones builds a bridge between practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example performance and installation art, as well as photography.
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Through a close re-examination of Eugene O’Neill’s oeuvre, from minor plays to his Pulitzer-winning works, this study proposes that O’Neill’s vision of tragedy privileges a particular emotional response over a more "rational" one among his audience members.
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This book explores the genealogy of Jamaican dancehall while questioning whether dancehall has a spiritual underscoring, foregrounding dance, and cultural expression.
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The Routledge Companion to Applied Performance provides an in-depth, far-reaching and provocative consideration of how scholars and artists negotiate the theoretical, historical and practical politics of applied performance, both in the academy and beyond.
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The Routledge Companion to Applied Performance provides an in-depth, far-reaching and provocative consideration of how scholars and artists negotiate the theoretical, historical and practical politics of applied performance, both in the academy and beyond.
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In this series of essays, Thomas Leabhart presents a thorough overview and analysis of the roots of Etienne Decroux’s artistic genealogy.
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This edited collection explores methods for conducting critical empirical research examining the potential impacts of theatrical events on audience members.
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Through detailed and cleverly analysed case studies, Kate Holmes' book highlights female solo aerialists of the 1920s and early 1930s and their status as internationally popular performers in the largest live mass entertainment of the period in the UK and USA.
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This book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness.