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Graham Griffiths places Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, at the centre of a fundamental reconsideration of the composer's entire output - viewed from the unprecedented perspective of his relationship with the piano.
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Graham Griffiths places Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, at the centre of a fundamental reconsideration of the composer's entire output - viewed from the unprecedented perspective of his relationship with the piano.
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The first two volumes of Peter Williams's classic study of Bach's organ works have been fully revised, taking account of Bach scholarship of the 25 years prior to publication.... Læs mere
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Chopin's oeuvre holds a secure place in the nineteenth-century repertoire, beloved by audiences, performers and aesthetes. In Harmony in Chopin, David Damschroder integrates Schenkerian... Læs mere
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The guitar was played everywhere in the age of Elizabeth I and Shakespeare, from the royal court to the tavern. This groundbreaking book uses new... Læs mere
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Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This... Læs mere
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This handbook addresses all who wish to consider the issues raised when performing music of the past. It provides sound advice on instruments and their care, historical... Læs mere
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This book explores the rich and influential career of one of jazz music's central figures, from his work as a composer to his cultural legacy in jazz, popular music and modern... Læs mere
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This Companion is an invaluable resource for music students and teachers, professional and amateur musicians, scholars and record collectors. It provides... Læs mere
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In the first detailed contextual study of Beethoven's middle-period quartets, Nancy November explores reception history, early performance practices and... Læs mere