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This book lays more emphasis on orality as source, as process or performance, as outcome. It looks at the primacy of the spoken language that seems to be the main common feature to these two phenomena of Italian theatrical culture.
This study considers the figure of the female dancer in French literary, visual, and performing art from 1830 to 1930. It explores how manifestations of the la danseuse shape notions of Modernism and asks why dance occupies a privileged position in a variety of Modernist media.
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance.
Previous studies have analysed Indian classical dance as an expression of Indian religious and... Læs mere
Provides sample scripts to get the teacher started in using scripted fantasy, and gives advice on classroom management and on processing the fantasy experience without compromising the students' privacy.
This introduction to popular media culture in Britain discusses the ways in which popular culture can be studied, understood and appreciated, and covers its key analytical issues and some of its most important processes.
By focusing on the work of a number of major choreographers, companies and critics, McFee explores the nature of our understanding of dance. He provides detailed insights into the nature and appreciation of art.
Looks at dance in Germany, France, and the United States during the 1920s and the 1930s, including ballet, modern dance and dance in the cinema and Revue. Artists examined include Josephine Baker, Jean Cocteau, Valeska Gert, and George Balanchine.
Katherine Liepe-Levinson has spent three years researching heterosexual female and male striptease in North America: this is the first full length theoretically informed study of striptease.
The most comprehensive volume on performance art from the Americas to have appeared in English, Corpus Delecti is a unique collection of historical and critical studies of contemporary Latin performance.
The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernism and live performance.
Containing annotated extracts from key sources, this guide to William Shakespeare's Macbeth explores the heated debates that this... Læs mere