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A series of studies on small national (or sub-national) cinemas
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The horror film analysed from a Deleuzian perspective
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The study of amateur filmmaking and media history is a rapidly-growing specialist field, and this ground-breaking book is the first to address the subject in the context of British women’s amateur practice.
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Female Agency and Documentary Strategies centres on how self-portraiture and contemporary documentary manifestations such as blogging and the prevalent usage of social media shape and inform female subjectivities and claims to truth.
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Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.
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Contemporary Spanish Gothic is the first book to study how the Gothic mode intersects with cultural production in Spain today, considering some of the ways in which such production feeds off and simultaneously feeds into Gothic production more widely.
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Focusing on the social experience of cinema and cinema-going, this collection of essays provides a detailed context for the history of early cinema in Scotland, from its inception in 1896 until the arrival of sound in the early 1930s.
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This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history.... Læs mere
Bemærk: Kan ikke leveres før jul.
This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This... Læs mere
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Deleuze turns to the cinema because its formal resources enable it to ‘think’ the relation between movement and duration in ways that philosophy cannot.... Læs mere
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This book, the first scholarly study of Friedkin’s films, reveals how they confront the ambiguities of law and morality, issues of subjectivity and problems of faith, while raising key questions around emotion and narrative in the cinema.
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Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L’emmerdeur (2008).