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This is the first book to investigate the coming-of-age genre as a significant phenomenon in New Zealand’s national cinema, tracing its development and elucidating its role in cultural change.
Bemærk: Kan ikke leveres før jul.
This is the first book to investigate the coming-of-age genre as a significant phenomenon in New Zealand s national cinema, tracing its development and elucidating its role in cultural change.
Bemærk: Kan ikke leveres før jul.
Analysing a wide range of novels and films, Sean McQueen brings renewed Marxian readings to cyberpunk texts previously theorised by Baudrillard or... Læs mere
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An innovative and wide-ranging collection, Expressionism in Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond... Læs mere
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Celluloid Singapore is a ground-breaking study of the three major periods in Singapore’s fragmented cinema history, namely the golden age of the 1950s and 60s, the post-studio 1970s, and the revival from the 1990s onwards.
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With detailed case studies of Final Chord and All That Heaven Allows, Victoria Evans demonstrates how Sirk attempted to dissolve the... Læs mere
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With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid... Læs mere
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This edited collection looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less... Læs mere
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Applying the metaphor of the ‘border crossing’ from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments.
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Jon Solomon’s new book offers an exciting and detailed study of the Ben-Hur brand, tracking its spectacular journey from Wallace’s original novel through to twenty-first century adaptations, and encompassing a wealth of previously unexplored material along the way
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Outlines an innovative agenda for understanding film’s interaction with other art forms.
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Michelle Devereaux explores the underlying philosophical and aesthetic Romantic connections between a selection of seven films from four popular filmmakers: Wes Anderson, Sofia Coppola, Spike Jonze and Charlie Kaufman.