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A study of Djibril Diop Mambéty’s 1973 film Touki Bouki (The Journey of the Hyena) in the BFI Film Classics series.
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How do museum practitioners in Africa overcome the colonial heritage of their institutions? Which significance do diasporic objects and the prospect of restitution have? An issue of the ZfK on the current debate about the decolonization of museums.
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A successful artistic-scientific collaboration with rich visual material on the question how we perceive artificial beings (avatars, puppets robots, etc.) in contrast to living persons.
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New perspectives on the fascination with ruins and decay in contemporary culture.
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Critical analysis of the representations of mixed-race couples in popular comedies – honing the French universalist paradigm of colour-blindness.
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The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixth Generation film Mama was released, to 2003, when authorities acknowledged the legitimacy of underground filmmakers.
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The major adaptations of all of Conan Doyle's literary works are fully covered here, plus a 1927 one-reel documentary in... Læs mere
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This book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror.
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Contrary to very well-known mainstream films, the films discussed do not focus on the negative aspects normally associated with Alzheimer’s disease, but on the importance of portraying the perspective of the persons living with Alzheimer’s and their personhood.
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This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled... Læs mere