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This project, which includes topics such as the gender gap in civic education, religious education, and... Læs mere
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Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.
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This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent.
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This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film’s images and narrative.
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This volume addresses the underscrutinised topic of cinema newsreels. The book presents a range of current research being undertaken in newsreel studies internationally and makes a case for a reconsideration of the importance of newsreels in the wider landscape of film history.
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This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies.
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This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns.
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This book seeks to inform the practice of critical pedagogy both practically and theoretically, and also offers a contribution to the fields of participatory action-research and communication for social change.
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Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context.
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This groundbreaking edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies, focusing on a... Læs mere
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Visible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema.