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This book maps father failure and redemption through three decades of Hollywood family films, revealing how libertarian notions that align agency with autonomy lead to new conflicts for the contemporary father.
The global reception of Samuel Beckett raises numerous questions: in which areas of the world was Beckett first translated? Translating Samuel Beckett around... Læs mere
The global reception of Samuel Beckett raises numerous questions: in which areas of the world was Beckett first translated? Translating Samuel Beckett around... Læs mere
With reference to traditional film theory and frameworks drawn from fields such as screenwriting studies and anthropology, this book explores the challenges and opportunities for both practitioners and viewers offered by the 360-degree storytelling form.
This book explores the significance of professional writers and their role in developing British storytelling in the 1920s... Læs mere
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society.
At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an... Læs mere
Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone.
In the context of changing constructs of home and of childhood since the mid-twentieth century, this book examines... Læs mere
In the context of changing constructs of home and of childhood since the mid-twentieth century, this book examines... Læs mere
Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses.
The key concepts of the book are media, class, poverty, and shaming.