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for SATB accompanied and unaccompaniedFred Onovwerosuoke and the St. Louis African Chorus have compiled their most requested pieces to create Songs of Africa.... Læs mere
During the eighty years from approx. 1535 many thousands of Italian madrigals were composed. Here are 55 for mixed voices covering the whole range of types, and the whole period. All have been chosen for their musical value - they are small masterpieces.
A collection of over 50 examples of sacred choral music from continental Europe, ranging from the sixteenth to twentieth centuries.
This is the last and most advanced volume of the graduated series, which includes works by composers of African descent that are hard to find or have never been published. This volume is for advanced performers and is a wonderful source of new and unusual repertoire.
for solo pianoThe fourth volume in this series includes seven advanced pieces that are longer in duration than those in the first three... Læs mere
for solo pianoThis first volume for advanced beginners offers a wonderful introduction to Ragtime and Jazz as well as... Læs mere
for SATB with piano accompaniment and unaccompaniedFurusato presents five evocative settings of Japanese songs, with traditional melodies and Chilcott's original... Læs mere
for solo pianoThe third volume for early advanced pianists explores even more genres than the first two volumes, such as elements of... Læs mere
The pieces in this album have been selected from several collections of easier piano pieces by this nineteenth-century German composer. Highly romantic and colourful, they are enjoyable to play and provide useful instructional material.
English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth... Læs mere
for SA (plus lead voice) and percussionFred Onovwerosuoke presents six authentic arrangements of African songs scored for upper voices and percussion. Published in... Læs mere
How did the son of a provincial piano tuner rise to international fame? Was the English countryside the principal inspiration for Elgar's music? Was this moustachioed, red-blooded, imperialist all that he seemed...?