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This book provides an important and original way of understanding how journalists use emotion to communicate to readers, posing the deceptively simple question, ‘how do journalists make us feel something when we read their work?’.
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The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate.
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This ground-breaking new book provides a unique, in-depth analysis of the BBC Asian Network, the BBC’s national ethnic-specific digital radio station in the UK.
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The book addresses the most recent challenges faced by the postal and delivery sector. This book includes... Læs mere
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Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America.
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The media industry, in particular, is being challenged by the rise of social media, the crisis of refinancing especially for quality news media, the ‘misinformation epidemic’, and the changing role of legacy media.
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This book aims to explore the diverse landscape of journalism in the third decade of the twenty-first century, constantly changing and still dealing with the consequences of a global pandemic.
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This book studies journalism in Cyprus to understand how journalists negotiate their roles and responsibilities in conflict-affected societies. Finally, it explores the impact of digital media on journalism and the public debate on the Cyprus problem.
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Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by changing formats and technologies.
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