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This study constructs a framework of narratology for art history and rewrites the development of twentieth-century Chinese art from a narratological perspective.
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A Deaf Take on Non-Equivalence in Written Chinese Translation examines the issue of lexical non-equivalence between written Chinese and Hong Kong Sign Language (HKSL) translation, describing its theoretical and practical implications.
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Developing Advanced Proficiency in Chinese through Debate provides lesson plans for holding high-level debates in the classroom.
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This book unveils the legendary life and the mystic poems of the iconic Chinese Tang poet Han-shan (known by his pen name "Cold Mountain") and investigates the dissemination and reception of his poems worldwide.
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This is the first scholarly attempt to write a history of cyber literary criticism in China. The author uses the Internet as the departure point,... Læs mere
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This book provides an innovative methodology for investigating how China has been conceptualised historically, tracing the development of four key concepts... Læs mere
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Providing a broad introduction to the area, this book maps the field of Chinese literature across its various worlds. Looking both within – at the world of Chinese... Læs mere
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Dialect, Voice, and Identity in Chinese Translation is the first book-length attempt to undertake a descriptive investigation of how dialect in British and American novels and dramas are translated into Chinese.
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This book focuses on the linguistic perspective of classical Chinese poetry and its changes and development in different historical periods. It offers a combination of theoretical analysis and aesthetic appreciation of exemplary poems.
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As an important introduction to the phonological history of Chinese, this title explores the phonological systems of the Chinese language and explains basic concepts, materials, and methodologies.
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As the second volume of a two-volume set that studies the Chinese rhyme table, this book seeks to reconstruct the ancient rhyme tables based on the extant materials and findings.
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By examining the development of “finish” morphemes in Sinitic and Zhuang Tai-Kadai through the interplay between grammaticalization and language contact, this book argues that Central Southern Guangxi constitutes a unique micro-linguistic area.