Forventes på lager: 15-07-2004
Beller-McKenna counters music historians's reluctance to address Brahms's Germanness, wary perhaps of fascist implications. He gives an account of the intertwining of nationalism, politics, and religion that underlies major works, and enriches both our understanding of his art and German culture.
| Forlag | Harvard University Press |
| Forfatter | Daniel Beller-McKenna |
| Type | Bog |
| Format | Hardback |
| Sprog | Engelsk |
| Udgivelsesdato | 15-07-2004 |
| Første udgivelsesår | 2004 |
| Illustrationer | 2 halftones, 4 line illustrations, 46 music examples, 7 tables |
| Originalsprog | United States |
| Sideantal | 258 |
| Indbinding | Hardback |
| Forlag | Harvard University Press |
| Sideoplysninger | 258 pages, 2 halftones, 4 line illustrations, 46 music examples, 7 tables |
| Mål | 162 x 243 x 23 |
| ISBN-13 / EAN-13 | 9780674013186 |