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This book studies the various narrative shades of love in twentieth century Latin American fiction. It examines writings by Isabel Allende, Roberto Arlt, García Márquez, and Mario Vargas Llosa.
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This book studies the various narrative shades of love in twentieth century Latin American fiction. It examines writings by Isabel Allende, Roberto Arlt, García Márquez, and Mario Vargas Llosa.
Bemærk: Kan ikke leveres før jul.
This book is a comparative analysis of classic texts of the Western canon, with each text grounded on a modernist version of love. As the aesthetic of modernism is still an aesthetic of sublime, romance becomes a tale of beauty and terror.
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This book examines the relationship between literature and philosophy.
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This book examines the relationship between literature and philosophy.
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If without obstacles there is no love, then love becomes love for obstacles. Within this masochistic frame, love, falling in love, being... Læs mere
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How has our conception of love changed, if it has, in the past two centuries?This book is to address these questions. It aims to bring to the surface different shades of love lingering at the heart of Western culture to rehabilitate the myth of love to its original credibility.
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How has our conception of love changed, if it has, in the past two centuries?This book is to address these questions. It aims to bring to the surface different shades of love lingering at the heart of Western culture to rehabilitate the myth of love to its original credibility.
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This volume offers a philosophical and literary exploration of Dostoevsky’s humanism, with a particular focus on his ethical and aesthetic reflections on human nature.
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The Self on Trial is an inquiry into the self and its pathological behaviors. The author observes 20th-century fiction and studies it through a psychological reading.
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The Self on Trial is an inquiry into the self and its pathological behaviors. The author observes 20th-century fiction and studies it through a psychological reading.
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This groundbreaking volume challenges conventional scholarship by illuminating a critical blind spot in modernist studies: the persistent yet transformed presence of love.