Comparing the verbal images of the book of Revelation to the visual images of Asia Minor, Andrew R. Guffey argues that Revelation is to be “seen” and not just read. By engaging Revelation as a visual text, Guffey reinserts it into the art history of early Christianity.
In this book, Andrew R. Guffey argues that part of the confusion surrounding the book of Revelation stems from the fact it was first and foremost a work to be “seen,” but that few interpreters address the visuality of the book.