Forfatter fødeår: 1950
The definitive complete translation of Sappho, by one of the world's greatest living poets
'This book is amazing--I haven't discovered any writing in years so marvelously disturbing.' --Alice Munro The introduction, discussion questions, suggestions for... Læs mere
The insights presented in the volume are many and wide-ranging, recognizably in tune with the subtlest modern discussions of desire (such as triangulation. or loving what... Læs mere
In a stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called ‘G’, into manhood, and through the complex labyrinths of the modern age.
In her first collection in five years, Anne Carson contemplates 'decreation' - an activity described by Simone Weil as 'undoing the creature in us' - an undoing of self. Where else can we start?Anne Carson's Decreation starts with form - the undoing of form.
Anne Carson' s first full-length publication in Britain, Glass and God introduces an assured and challenging new voice: vivid, laconic, precise. Blending the modern and the classical, Anne Carson writes with an intensity and an integrity that is transfiguring.
In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon.
Anne Carson's first original work since Float (Knopf, 2016)
Offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? This work reveals the two poets' striking commonalities.