This book examines the relationship between metaphor, art and science against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty.
This book shows how phenomenology provides new ways of theorizing audio drama. It gives a clear account of phenomenology’s rethinking of embodiment, technology and causality, and how it enables the drawing of relations between audio drama, sound art and audio fiction.