This book combines autoethnographic reflections, poetry, and photography with the aim to bridge the gap between creative practice and scholarly research.
Through hisown street photographs and drawing from the writings of Byung-Chul Han, Walter Benjamin and Michel de Certeau, the author explores feelings, affects, and states of mind as he explores the city and its social life.
This book combines autoethnographic reflections, poetry, and photography with the aim to bridge the gap between creative practice and scholarly research.