In The Story of No Emma Hammond delivers an experimental lyric that is wild, weird and full of the errata of modern life. Her poems reappropriate the language of brands, pornography and instant messaging, and argue for Carry On films and Wotsits as the true subjects of poetry.
Bold and experimental both in style and content, the poems of 'tunth-sk' have a life of their own - the images feel like they've been glimpsed through a gap in a fence line, the language like an eavesdropped conversation.