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The first in-depth assessment of myth 're-vision' as a phenomenon in women's drama, examining the diverse ways in which classical myth narratives have been reworked by women playwrights for the European stage. -- .
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This newly-updated volume looks at the scope of Augusto Boal's career - from his early work as a playwright and director in Sao Paulo in the 1950s, to the development of his ground-breaking manifesto in the 1970s for a 'Theatre of the Oppressed'.