In the concluding volume to his landmark trilogy consent not to be a single being Fred Moten uses the work of Emmanuel Levinas, Hannah Arendt, and Franz Fanon to explore the... Læs mere
In Black and Blur-the first volume in his consent not to be a single being trilogy-Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life, exploring a wide range of thinkers, musicians, and artists.
In Stolen Life—the second volume in his landmark trilogy consent not to be a single being—Fred Moten engages with the work of thinkers ranging from Kant to Saidiya Hartman, undertaking an... Læs mere