A wide-ranging, gripping lecture on Roy Lichtenstein offers a gripping engagement with the multiple aspects of the artist’s work.
How artists created an aesthetic of 'positive barbarism' in a world devastated by World War II, the Holocaust, and the atomic bomb
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force viewers to reexamine how artworks are received in the world and in the art market.